This little-known German film retells the true story of the British ocean liner that met a tragic fate. Ernst Fritz Fürbringer plays the president of the White Star Line, who unwisely pressed the Titanic’s captain (Otto Wernicke) to make the swiftest possible crossing to New York. Interestingly, director Herbert Selpin was arrested by the Gestapo during this film’s production, and German censors banned the film for its scenes of panic and terror.
Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan who has joined up on the side that appeals most to idealists of that era — like Ernest Hemingway and his friends — has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a bridge in a cave.
During the Nazi occupation of Czechoslovakia, surgeon Dr. Franticek Svoboda, a Czech patriot, assassinates the brutal “Hangman of Europe”, Reichsprotektor Reinhard Heydrich, and is wounded in the process. In his attempt to escape, he is helped by history professor Stephen Novotny and his daughter Mascha.
Cagney is a human dynamo as a drifter who helps save ailing Grace George from losing her newspaper. The pace is fast, and audiences of all ages will be pleased. The supporting cast, have all the small-town characterizations down pat — with Margaret Hamilton a standout. Cagney himself, had genuine affection for this film, and listed it among his top five movie-making experiences at a retrospective the year before he died.
Graverobbers open the grave of the Wolfman and awake him. He doesn’t like the idea of being immortal and killing people when the moon is full, so he tries to find Dr. Frankenstein, in the hopes that the Dr. can cure him, but Frankenstein is dead and only his Monster is alive and this one wants to live, not to die like the Wolfman.
During World War II, Captain Cassidy and his crew of submariners are ordered into Tokyo Bay on a secret mission. They are to gather information in advance of the planned bombing of Tokyo. Along the way, the crew learn about each other as they face the enemy and some of them lose their lives.
A documentary/drama about the training of bombardiers during WWII. Major Chick Davis proves to the U.S. Army the superiority of high altitude precision bombing, and establishes a school for bombardiers. Training is followed in semi-documentary style, with personal dramas in subplots. The climax is a spectacular, if somewhat jingoistic, battle sequence.
Gil Carter and Art Croft ride into a small Nevada town plagued by cattle thieves. Initially suspected of being the rustlers themselves, Carter and Croft eventually join a posse out to get the criminals, who also may be involved in a recent shooting. When the posse closes in on a group that could be the fugitives, they must decide on a course of action, with numerous lives hanging in the balance.
Hard times come for the Carraclough family and they are forced to sell their dog, Lassie, to the rich Duke of Rudling. Lassie, however, is unwilling to remain apart from young Carraclough son Joe and sets out on a long and dangerous journey to rejoin him.
Sergeant Joe Gunn and his tank crew pick up five British soldiers, a Frenchman and a Sudanese man with an Italian prisoner crossing the Libyan Desert to rejoin their command after the fall of Tobruk. Tambul, the Sudanese leads them to an abandoned desert fortress where they hope to find water. Soon a detachment of German soldiers arrives and attempts to barter food for water, but Gunn and his followers refuse. When the Germans attack, Gunn leads his desert-weary men in a desperate battle, hoping that British reinforcements can arrive in time.
A bored young woman, a teen living in Santa Rosa, California, Charlotte “Charlie” Newton (Wright), is frustrated because nothing seems to be happening in her life and that of her family. Then, she receives wonderful news: her uncle (for whom she was named), Charlie Oakley (Cotten), is arriving for a visit. But Uncle Charlie may not be the man he seems to be.